The New Art Centre (NAC) in Reus is a 3,000 m² institution dedicated to the intersection of art, technology, and science. Run by the New Art Foundation, it features exhibitions, workshops, and labs supporting innovative, technology-based artistic practices.

London-based art fair that reimagines the gallery experience through immersive formats and cultural programming. Held at The Mandrake Hotel, the fair integrates exhibitions with performance, nightlife, and cross-disciplinary events. It positions itself as a more dynamic, community-driven alternative to traditional fairs, emphasizing accessibility, experimentation, and visibility for emerging galleries and artists.  

An exploration of the Marquis de Sade’s aesthetic, political, and philosophical legacy from the early 20th century to today. The exhibition traced how Sade’s controversial writings have echoed through avant-garde movements, literature, visual art, and mass culture - simultaneously evoked as emancipatory and transgressive.

“HEAT: A cold world that’s why we hold heat” featured works by Emmanuel Awuni and Koyejo Oloko. Hosted in collaboration with Harlesden High Street, the show transformed Sadie Coles’ The Shop into a site of poetic resistance and warmth, interrogating how artists anchor intensity in a world in tension.

For the 15th Havana Biennial, which adopted “Shared Horizons” as its theme, the organization Food of War staged its fourth Edible Graffiti project. The work was split into two parts: the first took place in the Los Pocitos neighborhood, developed in collaboration with the Abakuá fraternity and their creative citizenship group, Akokán.

As Project Manager for three editions of the Zrinjevac Park Literary Festival, I oversaw the transformation of Zagreb’s historic park into a vibrant tropical beach - complete with sun, sand, and over 500 books in Croatian and English for visitors to browse and read in the open air.

“Ana Sting: 1:11 – Inner Personalities”, was an intimate, immersive exhibition and live performance exploring identity, and healing. The show features eight self-portraits, each representing a distinct inner persona. 

A retrospective exhibition addressing how conflict shapes food systems, scarcity, and survival. The show featured works by 19 contemporary artists across painting, sculpture, installation and performance -  from depictions of Chernobyl to explorations of Amazonian lands -  inviting visitors to confront food insecurity, access, and consumption in times of crisis.

“Tim Walker: Wonderful Things” was an immersive retrospective of Walker’s fantastical photography - combining images, films, set pieces and installations. Visitors explored ten new photographic series inspired by the V&A’s collections, entering surreal worlds where fashion, fantasy, storytelling and museum artefacts intertwine. 

At the intersection of art, property development, and web 3.0, UN-LUX was created as a collaborative project for the creation of artistic events around disused spaces in London. With an ethos of bridging the gap between public and private. 

The V&A’s most-attended exhibition to date, this retrospective delved into the designer’s enduring legacy and his profound influence on 20th-century British fashion, as well as the creative evolutions and design movements that followed in his wake.

“Metamorfosis” was an exhibition that brought together the work of animation masters Ladislas Starewitch, Jan Švankmajer, and the Quay Brothers, exploring a century of European stop-motion artistry. Featuring puppets, photomontage, and handcrafted techniques, it traced a poetic history of animation through the 20th century, with a subsequent edition presented at La Casa Encendida in Madrid.

The exhibition was based on the fashion photography collection of the Museu del Disseny de Barcelona, featuring 464 photographs by 38 artists created between 1903 and 2016. It explored fashion photography as the leading medium for disseminating 20th-century style and as an essential component of the broader fashion system, encompassing editorial and commercial imagery alike.

Set in Mughal India in 1659, this production depicted a brutal war of succession between two brothers with opposing visions for the empire’s future. Written by Shahid Nadeem and directed by Nadia Fall, the epic drama explored the conflict that helped shape modern-day India and Pakistan. It was performed at the Lyttelton Theatre.

Set in Mughal India in 1659, this production depicted a brutal war of succession between two brothers with opposing visions for the empire’s future. Written by Shahid Nadeem and directed by Nadia Fall, the epic drama explored the conflict that helped shape modern-day India and Pakistan. It was performed at the Lyttelton Theatre.

The Fuentes Angarita Collection is a contemporary art collection focused on Latin American, feminist, and socially engaged practices, founded by Andreina Fuentes Angarita. It preserves and promotes artworks that explore identity, gender, and cultural dialogue across global contexts.

ANUE (Asociación para las Naciones Unidas en España), hosts a collection of over 200 modern and contemporary artworks, with a heavy influence of catalan masters such as Tàpies, Jaume Plensa and Modest Cuixart. 

Praznine (Emptiness), was an interdisciplinary project by Odeon Art in collaboration with HNK Zagreb and Školska knjiga. It united twelve young artists in an immersive performance that blends theatre, film, visual art, and music. Set in a nontraditional sound hall, the audience shares space with three women who navigate the pressures of modern society.